I'm Min, and for the last ten-plus years, weddings have been the thing I

care about most behind the camera.

I shoot documentary-first — I'd rather catch the real laugh during your

first look than pose a fake one. That means staying close but staying out

of the way: reading the room, anticipating the moment before it happens,

and making sure the emotion in the photo is the emotion that was actually

in the room.

Ten years in, I still think a wedding day is the best job in photography:

the stakes are real, the emotion is real, and there's no second take.

That's what I show up for.

We Work As A Team

Every wedding I photograph, my wife Annie is there with me — all day, start

to finish. She's a photographer in her own right, and how she works your day

depends on the coverage you book.

With a single-photographer package, Annie runs the day beside me: fixing your veil before portraits, keeping the bridal party loose instead of

stiff, holding light for those soft editorial portraits, and making sure

your family knows exactly where to be. It's the reason our timelines don't

slip and our portraits don't feel rushed.

With a second-photographer package, Annie shoots. Two cameras, two angles —

your partner getting ready while you get ready, the aisle from the front

while I shoot from behind, the reception covered from both sides at once.

Nothing on your day happens without one of us pointed at it.

Two of us at every wedding. Two cameras when you want them.